While there is often a lot to be gleaned from the subject matter explored in art, there are instances when an artist’s choice of materials and techniques can make the meanings and ideas expressed in his/her artwork even more profound. I’ve chosen to share the work of two very unique APT9 artists, who have produced enormous commissions for the exhibition, with two key elements in common; both are comprised of thousands of objects intrinsically connected to cultural heritage and personal histories, and both have been shaped by empowering and meaningful practices and techniques.
ContinueCategory: Art from the Asia-Pacific
While on the subject of place, development, loss and preservation…
APT9 Artist Highlight: Vuth Lyno
Social transformation, community relationships and urban development in Cambodia are central themes in Vuth Lyno’s work. His APT9 contribution, House – Spirit, is a beautiful and poignant sculptural construction that references Phnom Penh’s iconic White Building, a vibrant residential hub for artists, musicians and craftspeople, that stood in the heart of the city until its demolition by a foreign developer in 2017.
The 9th Asia Pacific Triennial of Contemporary Art (APT9) & Artist Highlight #1
The first Asia Pacific Triennial of Contemporary Art (APT) was held at Queensland Art Gallery (QAG) in 1993. According to the exhibition catalogue, this made QAG the first art institution to comprehensively address the art of the region. Further to this, the aim of the exhibition was not to place Brisbane at the heart of the Asia Pacific art world, but to better comprehend, appreciate and connect with powerful work by artists who had their fingers on the pulse, coming to the fore from a dynamic and rapidly changing region, of which Australia was a significant part.
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